Lucid Imagination, the startup that commercially distributes the open source Apache Lucene and Apache Solr search technology, has raised $10 million in Series B funding from Shasta Ventures with Granite Ventures and Walden International participating in the round. This brings the company’s total funding to $16 million.

Lucid powers enterprise search technologies using the open source Lucene/Solr search. Customers include Zappos, Nike and Netflix. The new funding will be used to accelerate the adoption of Lucene/Solr search technology.

Launched in 2009, Lucid is seeing revenue in the “millions,” and counts Google’s enterprise search product as a direct competitor.

Pelago knows that just about every location-based app in the world is seeking coverage right now just prior to SXSW where they will all battle Highlander-style. So they approached me with a pretty smart pitch: curing the “social rut.” What they mean by that is these days, despite the prevalence of social networks, people are actually less social than ever because they’re being roped into playing games like Farmville and Mafia Wars for hours on end. Sitting in their rooms. Alone.

While that may be a part of social networking (a rather large, hugely profitably part), it’s not really social. That’s why location-based networks excite me: they have the potential to bridge social networking with actual social activity. And that’s exactly how Pelago is positioning the latest version of its location-based app, Whrrl 3.

The core idea behind the new iPhone app (which launched in the store today) is that people inspire others to do things. So when you see a friend is out doing something fun, you may want to join them. Or it may entice you to go out and do something else, and hope others see it on Whrrl and join in. It’s the grouping of people with similar interests into “Societies” that is a key to Whrrl 3. For example, a basic society is that each venue in the application has its own set of “regulars.” If you visit the place enough times, you unlock the badge making you a regular, and giving you access to member-level activities, such as recommendations and specials nearby.

One of these societies, launching alongside the SXSW festival in Austin, Texas this week is the Austin Underground which “will provide members with at-your-fingertips access to the hottest parties, events, and other fun things to do at the conference,” according to Whrrl. Over 50 merchants in Austin are participating to provide exclusive offers, apparently. To unlock the membership, you have to check-in at some of the following places: Four Seasons Hotel Austin, Outback Steakhouse, Cool River Cafe, Chuggin’ Monkey, J Black’s, Red Fez and Third Base, and others.

Other key features of Whrrl 3 include Recommendations — you create these (with photos, if you choose), to let others in your social graph (or your society) know fun things to do in an area. Ideas, are recommendations served up to you from societies you’re a part of, your friends, or Whrrl’s algorithms. Fun Facts are shown each time you check-in to a venue, with information about it. And of course, there is a point system (Influence Points) that turn the whole thing into one big game. What’s interesting about Whrrl’s game is that you can get point by inspiring others to do things with the app. Points also allow you to level up in your societies for more special deals.

All of this is an extension of the “footstreams” idea that Whrrl launched last December. That’s where they also first introduced the society idea as well. The key to both of those is about real people doing real things in the real world. That, in turn, shows what you’re interested in, and allows Whrrl to clump you into these groups with out like-minded people.

So that all sounds great, but will anyone use the app? After all, adoption has been a problem in the past and this isn’t the first time Whrrl is pivoting its product. In fact, they actually did exactly a year ago with Whrrl 2 just before SXSW.

Their main problem is convincing people to use Whrrl instead of the current location-based darlings, Foursquare and Gowalla. That’s going to be difficult because those networks are quickly building up social graphs and once those are established, users are less likely to leave. So Whrrl needs something to differentiate itself, and while their pitch to me is good, it’s an entirely different matter convincing users. And the things that would seem to help differentiate networks like Whrrl actually hurt them sometimes. For example, since location-based services are still new to so many people, it’s best to keep things as simple as possible. But Whrrl is piling on features that, while maybe cool, are likely to confuse new users.

Still, if Whrrl is able to secure some solid deals around Austin to get people using the app and checking-in, that could certainly get people using it. Of course, Foursquare and Gowalla have their own deals too. Then the problem becomes one I’ve had this past week while testing out all these location apps: fatigue. I can’t possibly check-in with each of these apps each time I move from place to place. The people I’m with have started rolling their eyes at me while I take my 10 minutes to check-in to all the different apps.

I’m not saying there can be only one. But one would sure be nice.

Find Whrrl 3 in the App Store here.

Earlier this year, Google landed a “landmark” deal with Global Cricket Ventures, the licensing partner to the Indian Premier League (IPL), which would give them the so rights to live stream cricket matches from the IPL on YouTube. This is a huge deal because the streaming of the 2010 IPL season (which starts on Friday and lasts for 45 days) is the first time a large-scale global sporting event will be streamed; with the reach expected to be at least a half-a-billion viewers. Now of of India’s largest gaming companies, Indiagames, has bought the official gaming rights to the IPL tournament to deliver games around the Indian cricket tournament.

Indiagames will be launching a series of web and mobile apps throughout the next 45 days. The first app, called IPL Indiagames T20 Fever, is an online game that uses Facebook Connect to allow users to create cricket teams consisting of both Facebook friends and IPL professional cricketers. The game will also include micro-transaction support, allowing users to users to virtually buy IPL players to improve their chances of becoming the IPL Champion.

A second, not yet released online game, called ‘IPL Indiagames 140Cricket’ will be based on a “Cricket Manager” concept and will target Twitter and Facebook users to construct and manage teams. The gaming company will also be rolling out a Facebook game as well. Indiagames partnered with Facebook to develop all three of the games.

While the IPL tournament will be streaming on YouTube, the fact that the official game will have a presence on Facebook will certainly draw Indian cricket fans to the social network. This should help give Facebook an edge over rival social network Orkut in India.

And no, you won’t have to jump through any annoying registration hoops like with the Olympics. In fact, there are so many options to to join in on the fun that we decided to compile a handy little guide for all your March Madness needs.

Here’s how you can follow the games live:

The NCAA’s March Madness on Demand site is the place to go for live streams of all the games, starting with Selection Sunday on March 14th all the way to the National Championship game on April 4th. Missed a game? No worries, the site will also provide game highlights and full game archives. Make sure you have Microsoft’s Silverlight installed if you want to use the site’s high-quality video player, with up to 1.8 Mbps.

The player offers features like picture-in-picture highlights of the current game’s best moments, as well as a boss button. (Now you just gotta find a way to quickly hide those pizza boxes in your desk drawer when your CEO walks by your cubicle.) The high quality player also utilizes IIS Smooth Streaming, meaning it will automatically adjust the bandwidth usage to accommodate your Internet connection and computer speed. No Silverlight on your PC? Don’t worry, the NCAA still has a standard-def video player that will play in pretty much any web browser, thanks to Flash.

March Madness on Demand streams will also be available on CNN.com, ESPN.com, Facebook, TV.com, CBS.com, CNET.com, GameSpot.com and other sites around the web.

The March Madness on Demand iPhone application gives iPhone and iPod Touch users a chance to tune into the games on the go. The application offers access to live video via 3G, EDGE and Wi-Fi for $9.99. There’s also a scoreboard, and users can schedule score alerts to keep up to date with the games. Don’t want to shell out 10 bucks? There’s also a free application available. It doesn’t have any live video, but video highlights and news updates.

FLO TV will provide live video of all 63 games to AT&T customers with compatible handsets as well as owners of the FLO TV Personal Television, through the CBS Mobile channel.

Here are some other good online video resources to check out:

The NCAA Vault features full-length videos of the best games the Men’s College Basketball Tournament has seen in the last ten years. The site offers access to 150 games as well as some nifty social features.

Hulu won’t carry March Madness live games, but the site has come up with its own unique flavor of vaguely related madness, offering a Best In Show bracket that lets Glee compete against Community and Mercy against House. Who said March Madness wasn’t something for everyone?

We’ll add more links with related video content while the competition is underway, so make sure to check back occasionally.

Since it launched last July at our Realtime Stream CrunchUp, Brizzly has been one of the best web-based Twitter apps. It offers support for viewing pictures inline, shortened link expansion, multiple Twitter accounts, and even some Facebook support. But they’ve been quiet in recent months. Now we know why.

The Brizzly team went into hibernation because they made a couple of acquisitions, and have been working on a new feature. First, they bought one of my favorite Twitter iPhone apps, Birdfeed. One of the earliest apps to gain Twitter geolocation support, I had been worrying that Birdfeed would go extinct because developer Buzz Andersen recently joined Jack Dorsey’s mobile payment startup, Square. But since the acquisition (which actually occurred in the November/December timeframe), Andersen has been working closely with the Brizzly team to wrap the app in its new skin.

And it’s more than just a new skin, as Brizzly for the iPhone, the app gained support for posting pictures to the service (or using Flickr), Twitter Lists, and tab editing to better customize the app. Also, if you are on a tweet page that has a photo link attached, you’ll be able to see a preview of that photo. It’s a robust client that stands among the best for the iPhone. And it has a bonus feature: News.

The News tab on the iPhone app actually ties in to the big new feature for Brizzly itself: Brizzly Guide. Previously, Brizzly’s website had an area on the side where users could explain the current trending topics on Twitter. Now, that area is a larger site, Brizzly Guide, which gives you more detail about the trending topics. This is actually quite useful as a source of news information because it can tell you both quickly and rather throughly why something is trending. For example, this page for Chuck Norris shows his name is trending because today is his 70th birthday. The page includes images (in this case, of Norris), and links to other relevant information about him. It also has an except from Wikipedia to tell you more.

These Brizzly Guides are all community-built, like Wikipedia. Anyone (with a Brizzly account) can edit them at anytime. Top contributors are displayed at the bottom of the Guide site, as are top trends this week. You can also search these guides, to look up previously hot topics.

The other acquisition Brizzly made could potentially be very interesting in the long run: Wikirank. Though the service was shut down a little while ago so that the team behind Small Batch Inc. (its parent) could focus on their new project, Typekit (which aims to better fonts to the web), it remained an interesting one. As a visualization and analytics tool for Wikipedia, Wikirank showed data in interesting ways that offered insight not seen on the face of Wikipedia itself. Though Brizzly co-founder Jason Shellen isn’t yet sure what they’re going to do with Wikirank, the idea will probably be along the lines of visualization and analytics of this Brizzly Guide information.

Shellen also notes that Brizzly signed an enterprise agreement for Typekit so that they can use it on Brizzly Guide.

Something else Brizzly has been working on: a new idea called “Picnics” (here’s an example). Basically, this allows someone to pick out tweets from the public Twitter stream and respond to them in a different, but still public, environment. Brizzly tested out the idea the other night during the hit Fox show House (frequent House director Greg Yaitanes is an investor in Brizzly parent Thing Labs), and Fox even promoted it. Actor Jesse Spencer (who plays Dr. Robert Chase on the show) responded to tweets directed at him as they came in.

While Picnic isn’t ready for a full-scale roll-out just yet, Shellen notes that it “should prove to really transformative for us in the near future – expect to see more picnics in the future.”

And if all that wasn’t enough, something else Brizzly has been working on recently: a new round of funding. Stay tuned.

Find the free Brizzly iPhone app in the App Store here.

Sonos, the Santa Barbara, California based startup that develops of wireless multi-room music systems, is taking a new round of financing from London-based Index Ventures, we’ve heard from multiple sources. Partner Mike Volpi, a forcer Cisco exec who found himself in the middle of a huge drama last year around eBay’s Skype spinoff, will join the board of directors of Sonos.

Volpi will bring real expertise to the Sonos board. As recently as 2007 he ran an $11 billion routing and access products busines for Cisco. He clearly knows how to sell products at scale.

Sonos has been around since 2003 and has raised some $40 million from private angel investors and BV Capital. Until last year the company sold very high end music products that users loved passionately, but the mutli-thousand dollar price point for a complete system made mainstream penetration difficult.

But in 2009 Sonos began selling a new product, the S5 music system, that users control via their iPhone. The S5 is just $400 and has driven “massive growth” says the company.

Like Flip last year, Sonos likely had a choice between selling now or raising new money for major expansion. Flip sold to Cisco. Sonos, it seems, is taking more money, but adding an ex-Cisco exec as well. Perhaps they’ll get their cake and eat it, too.

Sonos wouldn’t comment on this story. But we believe the deal will close and be announced in the next week or two.

However, at least some of these devices won’t be available at Amazon and other online retailers. Panasonic announced that it’s going all bricks-and-mortar with 3D TV to educate consumers about the technology, according to an article from Marketwatch.com.

Question is, will consumers bite? Not only are 3D set-ups significantly more expensive that your regular LCD or LED screen, with pairs of extra glasses alone costing $150 a pop, but there’s also limited content available to show off the technology. Panasonic will give buyers of its 3D TVs a free Blu-ray disc of Monsters vs. Aliens, which is Dreamworks’s first 3D release. However, 3D box office blockbuster Avatar won’t even be available in 3D when it’s released on Blu-ray and DVD some time before June.

The reason for that decision, according to News Corp. COO Chase Carey, is that “the market is not there” for a 3D release of Avatar, Dow Jones reports. This revelation puts a damper on hopes that Avatar will help to kick-start the home 3D market after becoming the commercially most successful movie ever at the box office. Carey said that a 3D version of the movie could be released later down the road, hinting at the possibility that studios could use 3D as another way to enforce release windows in a world where viewers have gotten used to instant satisfaction.

Hollywood is on schedule to release more than three dozen 3D movies this year, but a slow adoption curve of home 3D set-ups, as well as the need to squeeze as much money as possible out of slumping DVD and Blu-ray sales, could entice other studios to adopt the idea of a 3D window as well – which in turn could hurt sales of 3D equipment. It’s like a snake swallowing its own tail, in all of its stereoscopic beauty.

Relief for consumer electronics makers like Panasonic and Samsung could come from sports programming. ESPN has announced that it will start a 3D sports network by June — just in time for the World Cup — and in the coming months DirecTV also plans to launch three 3D channels with movies and sports programming. Question is: Is that enough to entice consumers to plunk down 3000 dollars or more for a 3D setup?

GigaOm Pro analyst Alfred Poor predicted last October that the 3D market was just about ready for takeoff, but that it will take until 2012 for a critical mass of content to be available. I asked him how he feels about this now, given the fact that consumers may have to be extra patient to get their hands on 3D releases. Here’s his take:

“15 or 20 feature films a year do not make enough content to fill one week of major network prime time programming. There are going to be some early experiments with 3D, such as ESPN’s plans for 3D coverage of sporting events, but that won’t be enough to justify buying a new TV for anyone but the early adopters.”

Poor added that it will take until 2013 before 3D uptake will be significant. Maybe Hollywood will have come around and actually put out some 3D titles on Blu-ray by that time.

Photo courtesy of Flickr user bark.

Related content on GigaOm Pro (subscription required):

Report: 3DTV Market is Ready for Takeoff

Are We Putting the 3-D Cart Before the Horse?

Regular readers will know my love for all things location. In particular, these check-in location-based services fascinate me, mainly because I see them as a bridge between social networks as we’ve known it, and actual social interaction in the real world. Foursquare has been my app of choice over the past year (it launched almost exactly a year ago at SXSW). But the latest version of Gowalla has me thinking about switching sides. At the very least, I’ll be using both at all times now.

Gowalla version 2.0 for the iPhone just hit the App Store today. With it, you’ll notice a few different things. First and foremost, the overall look has been updated from a sort of Army green, to a more subtle light green that is much easier on the eyes. More significantly, the toolbar has been reworked so that now social activity is front and center when you load the app, while your own activity is the last tab. Both of these changes are things I’ve complained about since day one with Gowalla, so they’re certainly welcome. But that’s not why I’m excited for the app. I’m excited because it takes the idea of the check-in and extends it.

Specifically, you can now add pictures and comments to check-ins in Gowalla. This makes for a much richer social experience both using the app and the website (the data goes over there as well). As founder and CEO Josh Williams describes in the video below, there were a lot of people who wanted to talk about the social activity on Gowalla, but previously they had to text message or email their friends to say something like “hey I saw you check-in at the restaurant, want some company?” Now, that type of dialogue can take place all within the app.

Now, others have tried to add additional layers to check-ins in the past. Why I think it works with Gowalla 2.0 is because they keep it simple. The application is extremely handsome (since the beginning, everyone is quick to note how good the designers are working for the team) and intuitive. There are only a few basic things you can do, and all are obvious from the main screen. You can either check-in at a venue, comment on your friends’ check-ins (with the new chat bubble in the stream), look at the spots around you, see trips (pre-planned venue excursions), or look at your own activity.

Previously, with Gowalla, I thought the focus was too much on their virtual items. Those are now tucked away in your Passport (your profile). They’re still important, and will be increasingly so for Gowalla’s revenue model (trading virtual goods for real-world items), but they’re not in your face, confusing users.

All that said, there are two downsides still to the service. First, the social activity stream includes everybody that your friends with. With Foursquare, the people currently in the same city as you are highlighted; Gowalla doesn’t do that. I suspect that will be very annoying to my friends not going to Austin this week for SXSW. Their stream will be a constant reminder that they’re not there — and they likely could care less about my check-ins, since they can’t possibly come and meet me.

The second downside is that Gowalla’s API remains read-only. That means while other services can pull out Gowalla’s data, they can’t put anything back in. That means there will be no Gowalla apps besides the ones they make (at least for now). Williams explained the rationale behind this as Gowalla wants to stay in control of the user experience (a rather Apple-like argument). That makes some sense, since there are all these virtual goods that will be flying around, and it will be hard to make sure every third-party app is implementing them correctly. Also, Gowalla is much more strict about its location-based check-ins then say, Foursquare. They’re so strict, in fact, that it’s been an issue in the past (and in some cases, still is), with people not being able to check-in places they’re actually at because the GPS is wonky. At the same time, this helps a lot with gaming the system, and that will be increasingly important as Gowalla strikes deals with partners based around check-ins.

Listen to Williams talk more about the new app, as well as his thoughts on AT&T’s network, some SXSW specials, rivals, and yes, even the news that Facebook is apparently looking at federating some of Gowalla’s (and Foursquare’s) data for its own location offering. He also notes that with the new release, Gowalla is expanding the idea of checking-in to be more of a bucket of elements now, including images and comments. Interesting. (Sorry in advance that I shot the video vertically on my iPhone — gotta stop doing that.)

You can find Gowalla 2.0 in the App Store here. It’s a free download.

Next Tuesday, Mar. 16, Genachowski will be answering user-submitted questions to topics like Access and Affordability, Mobile and Wireless and Security and Privacy. So if you’ve always wanted to grill a member of government about why web access isn’t as free and plentiful as it is in other countries, then go to YouTube’s CitizenTube channel and submit your question.

There are four days left to submit, and so far only 15 questions (one of which is this video, embedded above) have been contributed. So your odds of getting Genachowski’s attention? Pretty good. Oh, and while we’re at it: Feel free to link to your question in the comments if you end up participating.

Related GigaOm Pro Content (subscription required): Can Online Video Show Us the Future of Newspapers?

Editor’s note: In the following guest post, Fliqz CEO Benjamin Wayne reveals some of the secrets of using video to help boost the search results rankings of your website. Fliqz is an online video platform.

As most search engine optimization (SEO) experts are aware, getting a first-page Google result is harder than ever. Not only do Google’s search and indexing algorithms continue to evolve in complexity, but Google has given over more and more of its search results real estate to “blended” search results, displaying videos and images towards the top of the first page, and pushing down—and sometimes off the page—traditional web results that would have otherwise competed for top rankings.

But where problems arise, so do opportunities. Although Google’s newfound enthusiasm for video has created more competition for fewer traditional search results, it has enabled sites with video assets—even sites that would otherwise score poorly in the Google index—to successfully achieve first-page rankings. In fact, Forrester Research found that videos were 53 times more likely than traditional web pages to receive an organic first-page ranking.

Here’s what a blended search result looks like for the search query “777 built in 4 minutes“:

Those images at the top of the search results are video thumbnails, and today, there’s only two ways to get there:

1. Upload your video to YouTube.

The advantage of this is that you are 100% certain to be indexed into Google’s search engine. This does not guarantee you’ll get a first-page result, but at least it ensures that Google knows your content exists.

The drawback, of course, is that anyone who clicks on a YouTube result will be taken to YouTube, which may be fine if your goal is branding (i.e., you only care that people watch your video). If your goal is driving traffic, as is typically the case with SEO, this won’t be a successful strategy.

Your other alternative is:

2. Video SEO

Video SEO is a set of techniques designed to make sure that:

• Google finds your video content
• Google successfully indexes your video content
• Google will display your video content when specific keywords are entered as search terms

Here’s how to make it work:

You Need Video Content

Google is fairly flexible in what it considers to be video content. You can use actual video footage, but screen captures, slide shows, animated PowerPoint slides, and other content will work just as well. Google can’t actually “see” what’s inside the video content, so it relies on title and other meta-data to determine what content your video actually contains.

Submission, Not Discovery

With traditional web pages, Google utilizes crawlers to discover and index web content. Unfortunately, Google can’t read Flash very well (although it is trying), and as a result, most video content is invisible to Google’s search crawlers. Therefore, the best way to appear in Google’s blended search results is to submit your video to Google using a Video Sitemap. This is similar to an XML sitemap, but is formatted specifically for video, and only contains information about your video content. It is submitted using Google’s Webmaster Tools.

The most common error in Video SEO is to assume that because you have submitted the web page on which a video resides, that the video content itself is being indexed.

You’ll also need to make sure that you have a robots.txt file on all video pages, to ensure that Google can easily verify that the locations on the Web you’ve submitted do in fact exist, and that they contain embed codes which indicate the presence of a video.

Title and Title Tags

When ranking videos, Google primarily considers the match between search keywords and the video title. Although Google allows you to submit other meta-data such as description and keywords, these currently don’t have much influence on your search ranking. Google likes it when the title tag of the page matches the title of the video, and will give a higher weighting for results where this is the case.

Video SEO is Long Tail

Like traditional SEO, you’re much more likely to see results with Video SEO if you target more specific, or longer tail, search terms. A video titled “Dog” is unlikely to produce a first-page ranking, while a video titled “German Shepherd Police Dog” will be more likely to score well in Google’s algorithm. Since Google can’t determine the actual content of the video, you might consider submitting the same video multiple times with different titles that match potential search terms.

New and Small Don’t Matter

With traditional SEO, the age of a website is an important consideration for Google in deciding its ranking. Google also considers things like the number of pages on the site, and the number of links to the site, along with the importance of the places those links originate.

In Video SEO, none of this matters. This means that even new sites and small sites can compete on equal footing with larger and more established players. Publishers who are too small or too new to even consider traditional SEO can still be taking advantage of Video SEO opportunities.

For the Foreseeable Future, Video SEO is a Winning Strategy

As time goes by, Google’s discovery and indexing of video content will no doubt become more sophisticated, and as competition for video results increases, it will become harder for sites to achieve these first-page rankings. However, the number of web pages still massively outnumbers indexed video assets, and for as long as that continues, publishers will have an opportunity to jump to the top of Google’s search results through Video SEO.

Two years ago the company said in a regulatory filing that it planned to go public. However, as the equities market began to deteriorate, the company pulled back their planned IPO, preferring to wait for better market conditions.

Apparently they believe that those conditions have arrived. Since their original filing, Eyeblaster’s profit has grown by about a third from $7.4 million in 2007 to $9.8 million in 2009 while revenue jumped to $65.1 million from $44.7 million.

JPMorgan Securities Inc. and Deutsche Bank Securities Inc. are serving as the lead underwriters for the deal.
Ed Note: I am a former employee of Eyeblaster and holder of stock options in the company.

Google launched a new service today in from its Labs called Google Reader Play. It is a more visual way to browse through the most popular items being saved and shared on Google Reader. When you launch it, you are presented with a large photo, video, or text excerpt on the main part of the screen, and can flip through by clicking on arrows or selecting an item from the filmstrip at the bottom of the screen.

Google Reader Play doesn’t require you to sign in, but if you do then you can star, share, and like items, and it starts to recommend things to you based on what your friends share, star, and like in Google Reader. The user interface seems to borrow a lot from StumbleUpon, with its concept of randomly flicking through the best stuff on the Web. In particular, it’s very similar to StumbleVideo, except it includes more than just videos. It is very image-heavy. The user interface reminds me of some elements of enjosythin.gs as well in the way that it presents images and text excerpts in a blown-up manner. The arrows are very Fast Flip, another Labs experiment for the Google News in making magazine and newspaper articles more visually browsable.

Like many of its other recent efforts, especially with Buzz, Google Reader Play is an attempt to encourage more direct sharing and to capture that sharing data. More and more Website referral traffic is coming from sharing service such as Twitter and Facebook. Google wants to be in the sharing game as well.

Kyte now Offering Broadcast-Quality Live Video Streaming Backpack; the LivePro backpack, made by LiveU, will be released at SXSW. (TechCrunch)

Microsoft Launches Free Rival to BBC iPlayer; new UK-only video service will launch with a thousand hours of free British programming. (TimesOnline)

Distance Ed Students Forming College Clubs Online; students working toward degrees online are forming groups to recreate the social and professional opportunities of campus life, including video lectures and Q&As. (USA Today)

Online Challenge: Getting TV Viewers to Pay Up; in Canada, Bell Canada and Rogers’ cable division launched subscriber-only online TV services last fall, but they’re not making any money yet. (The Globe and Mail)

Covering the Street Protests in Tehran: How Reuters Curates UGC via Twitter; Beet.TV speaks with Greg Beitchman, Global Editor of the Reuters News Agency about Reuters’ use of citizen journalism. (Beet.TV)

Of course, Adobe hasn’t officially released Flash 10.1 for Android yet, but Sonicswap worked closely with Adobe on the development of the app. Sonicswap CEO Dan Skilken recorded a quick video demo of the app running on a Nexus One for us (embedded below), and I gotta say: It looks pretty darn cool.

Tunevision serves music videos from YouTube and Sony’s online properties, and it offers its users the ability to fine-tune their playlist through sliders that impact factors like the popularity of the artists selected. Users can also start off their playlist with a number of Last.fm user names — a neat feature if you want to compile a list based on the taste of a group of friends.

The application is currently only available on the web, but a Adobe Air client is in the works. Tunevision will release an Android app based on Air in the next couple of months, and Android users will also be able to access a mobile version of the site as soon as Adobe releases Flash 10.1 for the mobile OS.

Skilken made a point of telling us that something like this wouldn’t have been possible on the iPhone. “There is no question in my mind that the performance of Flash on Nexus is so good, that Steve Job’s ranting is motivated by the fear of this unlocking the walled garden,” he wrote us in an email, adding that the development of the Android app only took a couple of days.

Sonicswap also won’t have to wait until Apple approves the app, though it will have to hold out until Adobe finally ships its Android Flash 10.1 player. Adobe demoed Flash 10.1 on a Nexus One in January, and the company told us at the time that it was on track to release the Flash 10.1 player for Android phones in the first half of 2010.

SonicSwap, which is based in Palo Alto, Calif., has four employees and has raised $2.5 million in angel funding.

Related content on GigaOM Pro (subscription required):

Forget Syncing, Let’s Put Music in the Cloud!

When Blippy launched a few months ago, the idea was to get the site up there as bare-bones as possible so it was simple to people. That makes sense since the idea of sharing your credit card transaction data was (and remains) highly controversial. But despite the controversy, users have embraced Blippy. So now it’s time to give it a fresh coat of paint — and a new privacy feature.

Today, Blippy has undergone a massive redesign. Previously, Blippy was a stream of your friends’ transactions and little else. Now, it’s much more robust. In fact, it looks very similar to the most recent redesign of Facebook. You’ll notice the new update indicators next to the logo that get badged with a number when there is an update. You’ll also notice a search box front and center (for now, this is only to search for businesses or users).

More important than the redesign is the new feature Blippy is launching. Starting today, you can manually review each purchase before it’s displayed on Blippy. This is an important step in the direction of better privacy controls. Previously, you could pick and choose which sources you imported your transaction data from, but it was an all-or-nothing proposition. You could remove items after they appeared in your stream, but not before. Now you can do that by approving each one. A bit of a pain? Sure, but for some who are really concerned about privacy, this is a welcome addition (of course, you may wonder why they’d be using Blippy in the first place, but hey, people are weird).

This new setting will be displayed when users hook up their credit card or e-commerce account for the first time to Blippy.

Blippy has already streamed about $15 million in purchases, co-founder Philip Kaplan notes. “Today, thousands of people are automatically sharing purchases on Blippy. I think of it as ‘a stream of cool stuff my friends are buying.’ The additional level of control we’re introducing will make it even easier for people to share just want they want to share — whether a new iPhone app, movie from Netflix, favorite bar or restaurant, or grocery store run,” Kaplan says.

In January, Blippy raised a $1.6 million round of funding. The company is also getting some traction with retailers — though not all of them.

2009 TechCrunch50 winner Redbeacon, a service that pairs consumers with service providers, is releasing a number of new features today, launching a distribution relationship and sharing key data from their beta trial. The 50,000 foot view is, this startup has legs.

Users go to Redbeacon and search for real world service providers (housekeepers, plumbers, handyman, personal trainers, etc.). The service sends you firm quotes from local service providers, based on price and other factors, such as previous reviews and expertise with the specific job you want done. You can book an appointment online, and Redbeacon takes a 10% fee from the service provider.

The service first went live in the San Francisco bay area in October, and now has thousands of local service providers.

Most queries receive firm quotes within an hour, they say, and many get quotes within minutes. 100% of queries have received firm quotes, and “a very high percentage” of users are then booking appointments, says cofounder Ethan Anderson.

But the beta period has given the company much needed feedback, too. Service provider profiles need to have a lot more information, they say, for users to feel comfortable booking with them (and perhaps bringing them into their home). So the company has greatly expanded profiles to give that information. Redbeacon has also created better tools to allow users and providers to communicate before, during and after a job.

User can now upload more information on a job, such as a picture of the problem (a hole in the wall for a handyman, etc.). That leads to more and better quotes, says Anderson. We sat down with him at TechCrunch yesterday to talk about the company:

New Features, New Deal

Today Redbeacon is adding a social feature to the product that allows users to ask friends about which quotes they should accept, or to recommend different providers. They’re doing this through Facebook Connect, and allowing users to post their questions directly onto Facebook. This has the added benefit of viral marketing, of course.

Recent studies have shown that people love to ask their friends for advice when it comes to buying goods and services, and the success of services like Aardvark, which allow exactly that, aren’t surprising.

Redbeacon is also adding organization memberships and badges for services providers (BBB, etc.). This gives extra assurance to users that the provider is legitimate.

First Distribution Deal

Redbeacon is also announcing their first third party distribution deal, with Bigtent. These deals push the Redbeacon product directly into third party sites in exchange for a revenue share with the partner. Look for more of these over time, says Anderson.

The Value In Redbeacon: Real Reviews

Redbeacon provides a valuable service that blows away things like the Yellow Pages. But there’s also a hidden gem – the service knows for sure when a transaction occurs, so a review by a user is going to be legitimate. All those problems with fake review on Yelp will be avoided on Redbeacon.

Redbeacon pulls in review from Yelp, Google, etc. as well. But over time the review data they gather will be far more valuable than those services, simply because of verified transactions.

What’s most amazing about Redbeacon is that the startup has held off on raising any outside capital at all until now, despite a feeding frenzy around the company (multiple venture capitalists and angel investors have begged us for introductions over the last few months). I’d imagine that fast will soon be over. Now’s the time to raise a good round of financing and push Redbeacon to multiple markets beyond the bay area.

Yesterday brought news that Facebook is planning to launch its location offering at its f8 conference in the end of April. In first reporting the news, the New York Times noted that “the company was not trying to beat the smaller location-based social networks, such as Loopt, Foursquare and Gowalla.” From what we’re hearing, that’s true — because they could be using some of those services to federate check-ins.

How do we know? Because it appears that a Facebook employee has been showing the app around to friends. One person who has seen it notes that the icon for the location feature has a pushpin on a map. This was apparently a beta version of an app, but the functionality, if Facebook chooses to go with it, would likely be built into the massively popular Facebook iPhone app.

When reached for comment, all Facebook would say is, “We are constantly experimenting with new ideas and products internally. We don’t have anything more to share at this time.” That’s not exactly a denial at all.

What Foursquare and Gowalla (the two location apps specifically cited by a source) had to say was more interesting. Foursquare co-founder Dennis Crowley danced around the idea of working with Facebook on such a feature, but notes that anyone can access their check-in data through Foursquare’s API. And in fact, plenty of users are already pushing their check-ins to Facebook through Connect, he notes. Also, this page is sort of interesting. It’s what we call a placeholder.

Meanwhile, Gowalla founder Josh Williams said a bit more:

It’s no surprise that Facebook is wading into the location waters (cannonball!) — our ultimate goal at Gowalla is to provide the easiest and most fun way to share location with friends, regardless of where that information is distributed… Facebook, Twitter, etc. It will be important for folks like Facebook and Twitter to clearly spell out how this information is used and displayed.

That suggests that both Facebook and Twitter have been looking at ways to import check-in data. Twitter already syndicates the data through its Geolocation API, but as more and more players get involved in the space, it wouldn’t be surprising at all for the upstart players like Gowalla and Foursquare to ask the platforms (Facebook and Twitter) to make it more clear which data is being sent from where. And make no mistake, based on what we’re hearing, that’s exactly what Facebook aims to be with location: a platform. Yes, like their good buddies Twitter.

[photo: flickr/24oranges.nl]

In the second installment of a series of open interviews with government leaders, YouTube is going to field questions to Federal Communications Commission Chairman Julius Genachowski, following the launch of the National Broadband Plan next Tuesday (The FCC is the federal agency that oversees all elements of the U.S. communications sector). The plan aims to connect all Americans to fast, affordable high-speed Internet.

Similar to the question and answer session with President Obama following the State of The Union speech, users can submit video or text questions on CitizenTube via Google Moderator You can then vote on your favorite questions submitted by the community. YouTube will present the top-voted questions to Chairman Genachowski in the interview next Tuesday. The deadline for submission is Sunday, March 14 at 11:59 p.m. PT.

Google and the Obama administration have been working to incorporate the social video sharing site into government events. YouTube also aired the debate between President Obama and lawmakers over the President’s proposed healthcare reform at the Healthcare Summit in February. Speaker of the House Nancy Pelosi, Minority Leader John Boehner, and Senate Majority Leader Harry Reid answered select questions submitted via Google Moderator at the end of the summit.

This new label, Paracadute Recordings, will take over the distribution and promotion for their newest album Of The Color of Blue Sky, sales for which may be experiencing an uptick following the release of the State Farm-sponsored Rube Goldberg video for This Too Shall Pass, which is currently at 6.8 million views on YouTube (no small thanks to the fact that it’s embeddable).

OK Go’s decision isn’t terribly surprising when you consider their very public stance on big labels — that they function best as an aggregator of risk, giving support to new bands. As lead singer Damien Kulash said in our interview in January:

I’m not, you know, in any way celebrating the f—ing evil sons of b—-es who run things and the awful contracts they gave people. But the truth is that to tour internationally or to afford to work in the kind of studios we want to work in is not even close to within the range of of our own pocketbooks. Basically major labels are and have been, for a long time, essentially big gambling banks.

The move to their own label may mean that fancy recording studios and those international tours are no longer be a reality for them, at least for the time being. (They are kicking off a new tour in April, but will be staying domestic.)

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During the GamesBeat keynote at GDC today, OnLive CEO Steve Perlman took the stage to showcase the company’s game streaming technology, which allows gamers to play high quality 3D games without a console — OnLive does all of the intense rendering in the cloud, then streams it back to a lightweight client that will work on nearly any computer (it will work on TVs as well with an adapter). We’ve been hearing about the service for quite a while now (as well as its competitor, OTOY), but now OnLive finally has a solid release date: June 17, 2010. At launch, the service will be available in the 48 contiguous states.

The service will have a $14.95 per month base service fee, and then users will purchase games and rentals on an a la carte model on top of that. You’ll be able to purchase multiple months at a time to get a discount on the service. As a special for early users, OnLive is going to waive the service fee for three months for the first 25,000 users to pre-register at this page.

OnLive’s demos are always impressive. Today, Perlman showcased the service’s ability to play recent games like Crysis on a large TV, as well as on his mobile phone (because all the processing is done in the cloud, even an iPhone can handle it). He also showed off other features that OnLive will offer, like streaming movies and Xbox Live-like community features. It looks great, but OnLive still faces one very major hurdle: latency. Because gamers aren’t actually playing their games on a local machine, there’s a slight lag whenever they do anything. And in the case of ‘twitchy’ games like first person shooters, even 50 milliseconds of lag time can make the difference between a perfect kill and getting destroyed by your opponent. It’s unclear how much lag will be present once OnLive is deployed on a wide scale.

At launch OnLive will be available for PC and Mac only, and a MicroConsole TV adapter (which lets your TV hook up to the cloud service) will appear later this year. 1080p60 will be available in 2011 (Perlman says bandwidth available to consumers is what’s holding this back). International announcements are coming later this year.

Also be sure to check out our past coverage of OnLive competitor OTOY.

One of the most detailed 3-D mapping apps on the iPhone is UpNext, which lets you click on 3-D buildings and see a list of the businesses and offices inside. Up until now, however, it only covered New York City.

A new update adds three new cities: Boston, Washington, D.C., and Austin (just in time for SXSW, of course). The Austin map won’t be available until later tonight, where it will appear in the app’s city selection screen. UpNext lets you zoom around the city in a very Google Earth-like fashion, search for restaurants, bars, and stores.

You can favorite and bookmark different venues, see Citysearch and Yelp reviews, and broadcast a tip about the place through Facebook or Twitter. UpNext now pulls in local listings data (addresses, phone numbers, reviews,menus, websites, photos) from CityGrid, Citysearch’s local content and advertising network.

And what would an Austin update be without Foursquare integration. Once you log into Foursquare through UpNext you can see where all your friends are checking in. The checkins are overlayed as glowing blue dots on the map.

Here’s a video demo showing off all the features of the app:

Beginning April 23, those who purchase a Virtual Premium pass will get “full backstage access” to the festival goings-on, which means being able to watch eight or more of the feature films premiering at the festival and red carpet coverage, and to participate in live Q&As with the filmmakers (according to a representative for the fest, these chats will be text-based).

The Virtual Premium pass costs $45 — which isn’t too bad, given that you get to watch yet-to-premiere films like Edward Burns’s Nice Guy Johnny or opening night selection Shrek Forever After. The pass is not available to international audiences, though, and the red carpet live-streaming will be available to the general public, not just pass holders.

However, full passes to the physical fest cost $250-$450 (though you can buy tickets for individual films separately). That extra $200 might be worth the chance to touch Shrek star Cameron Diaz in person — something the Internet can’t currently replicate. But you’ll also probably have to get out of your pajamas.

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